Scar
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
Kept in shadow for two full seasons, and worth the wait
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Ozai is a final boss in the purest sense: an emperor waging a hundred-year war of extermination who is barely shown until the closing stretch of the series. The show uses him mainly as the source of the damage inflicted on his own children, which makes the eventual confrontation about far more than firepower. Hamill's voice performance is a masterclass in restrained cruelty.
He intends to burn an entire continent, and during a comet he has the power to do it.
He cannot conceive of anyone choosing mercy, which is precisely how he is beaten.
A hundred-year war of extermination already in progress, escalating to a plan to burn an entire continent.
Kept in shadow for two seasons and worth the wait, largely because the damage he did to his own children is the real story.
During a comet he can burn a continent, and the series treats that not as a boast but as an active plan already in motion.
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
The Hunchback of Notre Dame · 1996
The darkest antagonist a major animation studio has ever released
Tangled · 2010
The villain whose weapon is a compliment with a knife in it