Scar
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
A head of state, a sorcerer, an engineer and the most arrogant man alive
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Doom rules a small European nation, holds diplomatic immunity, and combines advanced engineering with genuine sorcery. What makes him great is that his ego is a documented character flaw the stories keep testing: he has saved the world, and he is genuinely certain the planet would be better under his personal management. The armor is also a mask for a face he scarred himself.
He commands a nation, technology beyond any rival, and mystical resources on top of it.
Pride. He will lose a winnable fight rather than accept help or admit a rival's competence.
A head of state, an engineer and a sorcerer, with an ego so well documented that it functions as a genuine character flaw rather than a writing convenience.
The only character in mainstream comics who is simultaneously a top-tier engineer and a top-tier sorcerer, and he is genuinely good at both.
Powered armor, mastery of both engineering and sorcery, and a nation's industrial base behind him. He has held cosmic-level power more than once.
Green cloak, iron mask, and a name that sounds like a parody but has outlasted every attempt to replace it.
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
The Hunchback of Notre Dame · 1996
The darkest antagonist a major animation studio has ever released
Tangled · 2010
The villain whose weapon is a compliment with a knife in it