Scar
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
The most dangerous man in Rome is the one begging to be loved
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
This version of Commodus is a study in inadequacy with unlimited power. He murders his father for withholding approval, then spends the rest of the film trying to be admired by a public that keeps preferring a slave. Phoenix plays him trembling and wet-eyed rather than imperious, which makes the cruelty land as a symptom rather than a strategy.
He can order anyone in the empire killed, and he takes every slight personally.
He needs the crowd's love, so he keeps making choices that are politically ruinous.
The Lion King · 1994
Fratricide, a musical number, and a lifetime of resentment
The Hunchback of Notre Dame · 1996
The darkest antagonist a major animation studio has ever released
Tangled · 2010
The villain whose weapon is a compliment with a knife in it