Maleficent
Sleeping Beauty · 1959
The most elegant design in the history of animated villainy
A predatory lender with tentacles and a signature
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Ursula's genius is that she never technically cheats. She offers a contract, states the terms out loud, and lets a teenager sign it. The film treats her as a loan shark rather than a monster, and Pat Carroll's performance, full of theatrical relish and mock sympathy, made her the template for the modern animated villain who is having a wonderful time.
She holds the souls of everyone who ever accepted her help, and the paperwork is binding.
The contract cuts both ways, and she scales up her power far beyond her ability to control it.
A performance built from used car salesmanship and Shakespearean theatre, in a song that most people can still recite.
A predatory lender with tentacles who never technically cheats, played with the relish of someone having the best week of her life.
Sleeping Beauty · 1959
The most elegant design in the history of animated villainy
Snow White and the Seven Dwarfs · 1937
The first, and still one of the most frightening