Maleficent
Sleeping Beauty · 1959
The most elegant design in the history of animated villainy
The advisor who was always going to try it
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Jafar spends the film manipulating a foolish sultan from three feet away, and the moment he gets real power he asks for more, then more again, until his final wish becomes the trap that holds him. He is smooth rather than loud, and his descent into shrieking desperation in the final act is one of animation's better collapses.
He controls the throne through the man sitting on it, and he has magic besides.
Greed. Every gain he makes triggers a demand for more, and the last one imprisons him.
Silky and controlled for most of the film, then completely undone by a wish he asks for himself. One of the great animated collapses.
Sleeping Beauty · 1959
The most elegant design in the history of animated villainy
Snow White and the Seven Dwarfs · 1937
The first, and still one of the most frightening