Kingpin
The Amazing Spider-Man #50 · 1967
A crime boss who beat a superhero by hiring lawyers
The character who made prestige television possible
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
A New Jersey mob boss goes to therapy for panic attacks, and in doing so opens the door for every morally compromised lead character that followed. Tony is funny, self-pitying, genuinely loving toward his children and capable of strangling an informant on the way to a college tour. The show never lets you forget the second thing while you are enjoying the first.
He is the most dangerous man in the room and the one most likely to make you laugh first.
He is genuinely, incurably unhappy, and it corrodes every decision he makes.
The character that made prestige television possible. Every morally compromised lead of the last twenty-five years is downstream of him.
The most dangerous man in the room and the one most likely to make you laugh first, which is precisely how the show implicates you.
The Amazing Spider-Man #50 · 1967
A crime boss who beat a superhero by hiring lawyers
Die Hard · 1988
The gentleman thief who rewrote the action movie antagonist
The Usual Suspects · 1995
A rumor that turned out to be sitting in the interrogation room