Kingpin
The Amazing Spider-Man #50 · 1967
A crime boss who beat a superhero by hiring lawyers
A rumor that turned out to be sitting in the interrogation room
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Söze exists mostly as a story other criminals tell each other, and the film is structured so that the audience assembles him from hearsay. The reveal is one of the most imitated endings in cinema precisely because the villain's greatest weapon is not violence but narrative: he convinces everyone, including the police, that he is somebody else.
You cannot fight someone whose existence you cannot even confirm.
The legend only holds as long as nobody looks at the noticeboard.
His entire method is narrative control, and he improvises a complete false history out of words printed on a noticeboard behind a detective's head.
A villain assembled entirely from other people's stories, with a reveal that spawned three decades of imitators.
The Amazing Spider-Man #50 · 1967
A crime boss who beat a superhero by hiring lawyers
Die Hard · 1988
The gentleman thief who rewrote the action movie antagonist