Trickster · Comics

The Joker

The most valuable argument any hero has ever had

Threat index 85 Batman #1 1940 #1 Comics

Attribute scores

Power48
Intellect88
Menace90
Fear factor88
Cultural impact99
Charisma96

Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.

Who they are

The Joker works because he is the exact inverse of the man he torments: no plan that survives contact with reality, no fixed origin, no interest in money. Batman imposes order on chaos; the Joker exists to prove that order is a costume. He has been a goofy prankster, a mass murderer and a philosophical opponent depending on the decade, and all of those versions are canon.

Defining traits

No consistent originChemical weapons and gag devicesImmune to intimidationObsessive fixation on BatmanTotal unpredictability

What makes them dangerous

He does not want anything you can give him, which removes every negotiating tool a hero has.

And what undoes them

He needs Batman. Remove the audience and the performance loses its purpose.

Things you might not know

  • He was written to die in his first appearance and was saved by an editor at the last minute.
  • Two different actors have won Academy Awards for playing him, which no other comic book character can claim.
  • His most acclaimed comic appearance explicitly states that he remembers his past differently every time.

Why number 1 in Comics

The only major comics villain with no fixed origin, which is why he has survived eighty years of contradictory interpretations without losing coherence.

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Why number 2 in Most Iconic

Eight decades, dozens of interpretations and two Academy Awards for two different actors. He is the only character on this list whose contradictory versions have all become iconic independently.

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Why number 2 in Most Charismatic

Every actor who has played him has been the most watchable thing in their film, across eight decades and wildly different tones.

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Why number 16 in Scariest

The fear is that he wants nothing you can offer. Every negotiating tool a hero has is useless against someone who is not trying to gain anything.

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If you like this villain

Animation Original artwork representing the trickster villain archetype

Cruella de Vil

One Hundred and One Dalmatians · 1961

No magic, no army, just a coat she wants very badly

Threat index 66
Animation Original artwork representing the trickster villain archetype

Hades

Hercules · 1997

A god of the underworld with the patter of an agent

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Animation Original artwork representing the trickster villain archetype

Bill Cipher

Gravity Falls · 2012

A floating triangle that is far worse than it looks

Threat index 87