Anton Chigurh
No Country for Old Men · 2007
Violence with a rulebook nobody else can read
The nervous young man who invented the modern horror villain
Editorial estimates on a 0–100 scale, calibrated against every other character in the index. Not official canon.
Before Bates, screen monsters were vampires and creatures. He made the monster a shy motel clerk who stammers and likes birds. The film's structure, which kills its apparent protagonist a third of the way in, only works because Bates is so unthreatening that the audience keeps trusting him. Every masked killer that followed owes him the concept.
He is invisible as a suspect, which means the danger arrives after you have already relaxed.
He is not in control of himself, and the personality that kills is not the one that covers it up well.
He invented the modern horror villain by being a shy young man instead of a monster, and the film's structure only works because of it.
He is not in control of himself, and the film's final scene makes clear that the person who committed the murders is the one who has already lost.
He is polite, nervous and completely disarming, which is why the film can kill its own protagonist and leave you with nobody to trust.
No Country for Old Men · 2007
Violence with a rulebook nobody else can read
A Nightmare on Elm Street · 1984
The one horror villain who talks back